Fiche d identite de moliere biography

  • Molière est un dramaturge incontournable de l'histoire littéraire française ayant vécu au XVIIème siècle.
  • A mathematician and theorist of fortifications, a military historian and a master of language, his name remains attached to that of Molière, of whom he was.
  • Cette ressource présente la structure d'une pièce de théâtre en prenant appui sur la fameuse scène 7 de l'acte IV de l'Avare de Molière.

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    Fiche D'identité AUTEURS

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    Nom : Pierre Carlet de Chamblain de MARIVAUX

    Date : 1688-1763
    XVIIIe siècle, siècle des Lumières

    Métier : dramaturge

    Origine : français

    Genre littéraire : théâtre principalement, comédie

    Œuvres : L’île des esclaves (1725), La colonie (1750)

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    1. Comédien et Auteur de pièces de théâtre
    2. Gabor, Sur Wikimedia Commons, Domaine public
    3. http://www.jogtheweb.com/run/kIGMbVTOVHxN/Biographie-de-Moliere
    4. Sources :
      1. 1) Vikidia, Molière
        1. http://fr.vikidia.org/wiki/Moli%C3%A8re
          1. [consulté le 30/01/2011]
      2. 2) Comédie Littéraire
        1. http://www.comedie-francaise.fr/histoire-et-patrimoine.php?id=253
          1. [consulté le 30/01/2011]
      3. 3) Wikipédia, Molière
        1. http://fr.wikipedia.org/wiki/Moli%C3%A8re#Ses_.C3.A9tudes
          1. [consulté le 30/01/2011]
      4. 4) A la découverte dem Jean dem La Fontaine, Contemporains
        1. http://www.lafontaine.net/lafontaine/lafontaine.php?id=58
          1. [consulté le 30/01/2011]
      5. 4 bis) @lalettre.com, Biographie de Molière
        1. http://www.alalettre.com/moliere-bio.php
          1. [consulté le 30/01/2011]
      6. 5) Tout Molière, Oeuvre
        1. http://www.toutmoliere.net/2008/oeuvres/index.html
          1. [consulté le 30/01/2011]
      7. 6) Tout Molière, Dictionnaire : Mariage
        1. http://www.toutmoliere.net/dictionnaire/mariage.html
          1. [consulté le 30/01/2011]
    5. Sujet

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      Comedy and the Limits of the Human in Molière's Ecole des femmes

      ILLUSTRATIONS

      Frontispiece 1663Cover (reproduced with kind permission from the University of Chicago) I want to begin by making what might seem like a strange move. I want to promote from the periphery to the centre of L'Ecole des femmes a tiny detail that I will suggest bears an implicit relation not only to some of the central aesthetic problems of Molière's 1662 play, but also to important aspects of the querelle concerning the play's originality and value that unfolded during the following year. The detail in question is this: before returning to France just prior to the start of the play, Agnès's father Enrique has spent fourteen years in the Americas l'Amérique -where, we are told, he has accumulated a fortune. 1 We are given this detail fewer than 300 lines into the play (I, iv, 269-71) and it returns again, indirectly, just several lines before the end where Oronte tells us that Enriqu

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