Amie dicke biography of martin
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The Moralistic Turn. Working through trauma in a climate of outrage. The case study of Castrum Peregrini. By Lars Ebert
Today we know that the chair that travelled to Munich from Amsterdam was not as “innocent” as we had imagined. It probably also had witnessed abuse. The metaphor nevertheless remains strong like the question how we give a moral load to heritage and how this influences the way we treat it.
The project in the end was not about chairs. It created a space of conversation, a space in which individuals expressed themselves about moral concerns, about how to remember, identify, how to conduct the good life by not looking away. Building and maintaining this space brings ethics, aesthetics and politics together and empowers individuals. Fear that is caused by moral judgement does not, but it can be and should be a part of the conversation.
Reference List • For her solo exhibition Open Arms at Anat Ebgi galleri, which opened on Friday September 6, Dicke debuted a new body of works that continues her exploration of the signs and symbols shaping how we view the hona form. In Open Arms, she expands her focus to include men’s mode ads, art catalogs, and art history books. What connects these different interventions into modern masterpieces and male model photoshoots fryst vatten a defiance of the convention that reduces women to passive objects of desire within images. At the same time, Dicke embraces the human tendency to planerat arbete desires onto these images, making her revisions both sensual and fluid. Open Arms can be seen as a love letter to the art of self-representation, while critically examining what it means to engage with these representations. Hi Amie. I’m really excited for your show at Anat Ebgi Gallery. inom want to start bygd asking about how you first came into the art world. You were a model in Ne • Education 1999 – 2001, MA Fine Art, Chelsea School of Art, London 1996 – 1999, BA Fine Art, Winchester School of Art, UK Selected Solo Exhibitions 2021, Kate MacGarry, London, UK 2020, Veveriet, Ålgård 2017, Matt Bryans with Vanya Bryans, Treignac Projet, France Yellow Hammer, Treignac Projet, Limousin 2014, Hordaland, Kunstsenter, Bergen 2014, Treignac Project, France 2013, Kate MacGarry, London 2012, Matt Bryans, Tou Scene, Stavanger, Norway 2012, Matt Bryans, Wojciech Bąkowski (duo-show), Martin van Zomeren, Amsterdam 2012, Chapter Gallery, Cardiff 2011, Breaking the Land, SF Camerawork, San Francisco 2010, Hibernation, Martin van Zomeren, Amsterdam 2009, Matt Bryans, Jack Hanley Gallery, New York 2008, Matt Bryans, Kate MacGarry, London 2007, Matt Bryans, Martin van Zomeren, Amsterdam 2007, System Error. War Is A Force That Gives Us Meaning, Palazzo delle Papesse, Siena, Italy 2006, Matt B
Assmann A., Dialogic Memory, in Dialogue as a Trans-Disciplinary Concept: Martin Buber’s Philosophy of Dialogue Amie Dicke’s Open Arms