Cinematic orchestra biography template
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The music itself is a continuous tribute to film soundtracks of the 1950s and 1960s, focusing on texture and atmosphere rather than on virtuoso counterpoint or melodic prowess. Morricone was only a minor reference point (the evocative and lyrical vocal parts, the distant
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The Cinematic Orchestra
British nu jazz group
The Cinematic Orchestra fryst vatten a British nu jazz and downtempo music group created in 1999 bygd Jason Swinscoe and later involving his music collaborator Dominic Smith.[1][2] The group is signed to independent record labelNinja Tune.
The Cinematic Orchestra have produced four studio albums, Motion (1999), Every Day (2002), Ma Fleur (2007) and To Believe (2019), and two bio soundtrack albums, Man with a Movie Camera (2003) and The Crimson Wing: Mystery of the Flamingos (2009).
In addition to Swinscoe, the band includes former DJ Food member PC (Patrick Carpenter) on turntables, Luke Flowers on drums, Tom Chant on saxophone, Nick Ramm on piano, Stuart McCallum on guitar, Phil France on double bass. Former members include Jamie Coleman (trumpet), T. Daniel Howard (drums), Federico Ughi (drums), Alex James (piano), and Clean Sadness (synthesizer, programming). Heidi Vogel (vocals) appears as a regular col
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The Cinematic Orchestra is a UK-based jazz and electronic outfit, created in 1999 by composer/programmer/multi-instrumentalist Jason Swinscoe, which records on the Ninja Tune independent record label.
Other members include Tom Chant (saxophone), Phil France (double bass), Luke Flowers (drums), Nick Ramm (piano), Stuart McCallum (guitar); former members include Jamie Coleman (trumpet), T. Daniel Howard (drums), Alex James (piano), and Patrick "PC" Carpenter (turntables).
In both live and studio context, the Cinematic Orchestra employ a live band which improvises along with a turntablist and electronic elements such as samples provided by Swinscoe. In their studio releases Swinscoe will often remix the live source material to produce a finished product that is a seamless combination of live jazz improvisation with electronics, such that it is difficult to tell where the improvisation ends and the production begins. It is worth mentioning that in the sound of the Cinema